Pairing them may detract attention from your black and white photography. Colour prints stand out in a room more than black and white prints do. And while there are no hard and fast rules, it’s best to keep black and white prints separate from colour photographs. For example, you can place black and white prints in coloured picture frames for a pop of colour. They can also form part of specific colour schemes. Black and white photos pair well with drawings and etchings in monochromatic hues.

Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.īlack and white photography also complements a variety of other art. Black and white photographs actually harmonise well with accent colours such as yellow, red and green. A single large-scale black and white photograph above the sofa in your lounge is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography - a hallmark of minimalist decor - is a particularly natural choice for such a setting.Īnother advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing colour scheme. The grey tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.īlack and white photography adapts to its surroundings like a chameleon might. However, you can be more daring with black and white photos. When decorating with fine photography, keep in mind that some colour photographs may not be suitable for every space. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. Composition and textures are crisp and engaging. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. Some might argue that we’re naturally drawn to colour photography because it’s the world we know best. The unique and timeless quality of a black and white photograph accentuates any room.

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